Yvonne Rainer - Moving and Being Moved / Available at www

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"You know I very much 21 Jun 2009 Back in the early 1970s, Yvonne Rainer was in the midst of a transition from postmodern dance maker to experimental film auteur. She still had 19 Jul 2017 Yvonne Rainer stands as one of the most influential choreographers of the past fifty-plus years,” begins Melissa Anderson in the Village Voice. 28 Aug 2014 Lambert-Beatty C. Being Watched: Yvonne Rainer and the 1960s. Cambridge, MA: MIT Press; 2008. 17 Jan 2018 Pioneering American dancer, choreographer, filmmaker, and writer Yvonne Rainer is invited by IMMA (Irish Museum of Modern Art, Dublin) to 20 Nov 2015 Moreover, the groundbreaking American dancer and filmmaker Yvonne Rainer was our guest and participated in the Film/Video Showcase at 12 Nov 2010 LUX collaborator Ian White reports on the recent evenings of performances by Yvonne Rainer at Tramway in Glasgow.

Judson Memorial Church, New York, 1963. Photo: Al Giese. Yvonne Rainer, who is being presented by the Kunsthaus Bregenz in cooperation with the Museum Ludwig in Cologne and the Getty Research Institute in Los 17 Nov 2017 The following is excerpted from Interviews on Art, a collection of more than sixty interviews by Robert Storr with contemporary artists. Yvonne 22 Nov 2019 Yvonne Rainer, Parts of Some Sextets (1965/2019), Performa Commission for the Performa 19 Biennial, November 15-17, 2019 at Gelsey Movement Research in Residence · The divergences between the work of Yvonne Rainer and Aileen Passloff highlight the vastness of the imprint of Judson Dance 3 Apr 2015 A consideration of experimental game design through the lens of Yvonne Rainer and the Judson Dance Theater. 28 Oct 2011 Yvonne Rainer (born San Francisco, 1934), credited with launching the post modern dance movement and helping start Judson Church and Yvonne Rainer is a very influential dancer that mixed many things into her dances, such as films and connections with non-dancers. "You know I very much 21 Jun 2009 Back in the early 1970s, Yvonne Rainer was in the midst of a transition from postmodern dance maker to experimental film auteur. She still had 19 Jul 2017 Yvonne Rainer stands as one of the most influential choreographers of the past fifty-plus years,” begins Melissa Anderson in the Village Voice.

Yvonne Rainer: Radical Juxtapositions 1961-2002, a solo exhibition that included video installations — After Many a Summer Dies the Swan: Hybrid and Rainer Variations (a video portrait edited by Charles Atlas) — plus vintage photographs, posters, manuscripts, films, drawings, and notebooks, took place at the Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, in 2002 and Pioneering choreographer Yvonne Rainer discusses her ongoing work-in-progress “The Concept of Dust, or How do you look when there's nothing left to move?” on 2020-04-14 2017-06-16 Feelings Are Facts: The Life of Yvonne Rainer.

Yvonne Rainer - Moving and Being Moved / Available at www

Though feminist in its implications, Yvonne Rainer’s 1974 film _____ the filmmaker’s active involvement in feminist politics. A. antedated B. cloaked C. portrayed D. preceded E. renewed F. represented Practice Questions Question: 22 Page: 379 Rainer reside y trabaja en Nueva York.

Bokrelease / performance med Weld Company - Rönnells

Som dansare tränade hon med Martha Graham och Merce Cunningham. Hon blev sedan en av grundarna till Judson Dance Theatre 1962. Originalbild från Yvonne Rainers ”Trio A”, 1966. Foto: Yvonne Rainer Studio/Dansmuseet Dansmuseet i Stockholm öppnar med föreställningar av ikonen Yvonne Rainers 1960-talsverk ”Trio A”. In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film-frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Koreografi: Yvonne Rainer Oumbärlig koreografisk assistent: Pat Catterson Ljus och kostym: Yvonne Rainer.

In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film-frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America.
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Inför det efterlängtade besöket av koreografen, dansaren och filmskaparen Yvonne Rainer visas bla.

Se hela listan på de.wikipedia.org About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators Yvonne Rainer: Trio A A look at the avant-garde dancer's iconic piece Created in 1966 and performed for the camera in 1978, Trio A (The mind is a muscle, part I) is one of Yvonne Rainer's most iconic dance pieces. Diagonal (part of Terrain), 1963/2014 In Yvonne Rainer.
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En dansant elasticitet – Yvonne Rainers Kristina Talking

Rainer currently lives and works in New York. Yvonne Rainer, (born November 24, 1934, San Francisco, California, U.S.), American avant-garde choreographer and filmmaker whose work in both disciplines often featured the medium’s most fundamental elements rather than meeting conventional expectations. "Yvonne Rainer is a pioneering artist and feminist whose work challenges expectations at every turn, who battled sexism in the art world of the Sixties and navigated the upheavals of feminist theory and politics in the late 20th century. Yvonne Rainer (born November 24, 1934) is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental.

Breath Made Visible Dansfiket En film av Ruedi Gerber Land

Dansad av Sebastian Lingserius, Nassim Meki och Björn Säfsten. Trio A, ett ikoniskt verk skapat av Yvonne Rainer 1965, består av en 5-minuter lång rörelsesekvens och hade premiär under namnet The Mind Is a Muscle, Part I at Judson Church, New York City, den 10:e januari 1966. Pris: 359 kr.

In these years, as the art world turned toward minimalism, Rainer and her Judson Dance Theater colleagues were engaged in a parallel, and equally radical, redefinition of dance. The venerated dancer, choreographer, filmmaker, and writer Yvonne Rainer has given us the opportunity to create a dance piece in our own homes, by following instructions shared with the New York Times. Yvonne Rainer was born on November 24, 1934 in San Francisco, California, USA. She is a director and editor, known for Privilege (1990), MURDER and murder (1996) and Journeys from Berlin/1971 (1980). See full bio » Yvonne Rainer is a New York City–based choreographer who was a leading member of Judson Dance Theater, the 1960s avant-garde dance collective that rejected modern dance. In 1965 Rainer wrote her famous “No Manifesto,” a public dismissal of the qualities that exemplified then-current concert dance styles: spectacle, glamour, virtuosity. Yvonne Rainer, choreographer, filmmaker, and writer, was one of the founders of the Judson Dance Theater (1962) and the improvisational group, Grand Union (1970). The venerated dancer, choreographer, filmmaker, and writer Yvonne Rainer has given us the opportunity to create a dance piece in our own homes, by following instructions shared with the New York Times.